Photo by Bartek Sadowski
Believes that new music is an important tool of social discourse, which means that she does not consider her field as an art of sound but seeks multi-layered meanings, references and links.
The videoclip form is Marta Śniada’s showpiece. She she uses it nimbly, and is often the casted as the character in the projection herself. In “4 rituals of womens’ happiness” there are outstanding live electronics, pop culture references and deep synergy between sound and picture.
(Izabela Smelczyńska, Ruch Muzyczny)